I like it. Some of his art allows you to see a facial expression- we have to wonder who or what that is. When I look at your work I thunk the apes are sad + the clay draws the image down even further. But on the horses is where your chunks become sinewy muscles. With nostrils flairing as the animal is shown at full gallop. -or the super streamline discovered In barn. I don't care for it. Yet some find it desireable.