Potato, potahto, tomato, tomahto!
Phil, you’re so right about documented evidence on the early RMS’s...there's so little published! Therefore, I looked at the impetus, the undeniable published patent drawing filed May 2, 1936, and I discerned something totally different then you.
Often times, a rendering is a portal into the designer’s imagination…a prelude to the finish piece. And too often the concept piece may never be produced because of cost implications, safety features, machining, availability, management changes, etc? There are too many factors that can occur from the drawing board to the finish result. Similar to concept cars at an Auto Show…the car seen on the stage is rarely produced as seen!
The stem featured in the patent drawing I assumed is the designer's Onnie Mankki concept? He envisioned a uniquely large, “beefy” and bulbous stem...unlike the familiar prevalent stems used on bicycles. You mentioned;
“If you compare the patent illustration with the cushion stem and the 1937 Roadmaster bellows stem, you will see the patent illustration clearly shows the bike with the Roadmaster stem". Personally, I don’t see the stem you speak of?
I carefully re-rendered Mankki's patent illustration and the “cushioned” stem (see pic) to get a visual comparison. Please note, the orientation of the bar clamp bolt you referenced, it is apparent on both stems and actually more pronounced on the cushioned stem.
The aesthetics of both stems are more similar then they are different, and especially compared to the art deco "bellow" gooseneck.
I interpreted the patent drawing as a conceptual direction…and if you carefully look at the illustration you’ll see other visual discrepancies that were also never produced; the different design pattern on the chain guard, a different rear carrier design, shallow fenders, different truss rods & mounts, and most significantly the different designed “bug” eye tank. I’d also like to call your attention to the “Bluebird grips” and the absence of the signature RMS curved crank arms!
Theoretically, CWC never produced Mankki's patent illustration...but from a distance it's a close interpretation