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1938 Roadmaster Supreme (4-gill)

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BTW Fordsnake? I LOVE your bike and can't wait to see it finished!! May I ask who is doing your tank decal and would they possibly make one to sell to me?
 
Potato, potahto, tomato, tomahto!

Phil, you’re so right about documented evidence on the early RMS’s...there's so little published! Therefore, I looked at the impetus, the undeniable published patent drawing filed May 2, 1936, and I discerned something totally different then you.

Often times, a rendering is a portal into the designer’s imagination…a prelude to the finish piece. And too often the concept piece may never be produced because of cost implications, safety features, machining, availability, management changes, etc? There are too many factors that can occur from the drawing board to the finish result. Similar to concept cars at an Auto Show…the car seen on the stage is rarely produced as seen!

The stem featured in the patent drawing I assumed is the designer's Onnie Mankki concept? He envisioned a uniquely large, “beefy” and bulbous stem...unlike the familiar prevalent stems used on bicycles. You mentioned;“If you compare the patent illustration with the cushion stem and the 1937 Roadmaster bellows stem, you will see the patent illustration clearly shows the bike with the Roadmaster stem". Personally, I don’t see the stem you speak of?

I carefully re-rendered Mankki's patent illustration and the “cushioned” stem (see pic) to get a visual comparison. Please note, the orientation of the bar clamp bolt you referenced, it is apparent on both stems and actually more pronounced on the cushioned stem.

The aesthetics of both stems are more similar then they are different, and especially compared to the art deco "bellow" gooseneck.

I interpreted the patent drawing as a conceptual direction…and if you carefully look at the illustration you’ll see other visual discrepancies that were also never produced; the different design pattern on the chain guard, a different rear carrier design, shallow fenders, different truss rods & mounts, and most significantly the different designed “bug” eye tank. I’d also like to call your attention to the “Bluebird grips” and the absence of the signature RMS curved crank arms!

Theoretically, CWC never produced Mankki's patent illustration...but from a distance it's a close interpretation :D

file26-1.jpg

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Nice 4-gill assembly Carlton and interesting information and interpretation on the RMS.
Just one guy's thought here, but the artistic rendering looks more like the bellows ))) stem to me.
No cushioning aspect of that rendering besides the handlebar mount location discrepancy.
Chris
 
Thanks Chris! Regarding the gooseneck...when I lay the patent drawing over a photo of an RMS, it's rather clear there are difference in the outline appearance, the bulbous shock absorber stem is a closer match then the bellow stem in my opinion. But we'll never know since there's no documented evidence or proof?
 
I was also thinking that the general drawing looked like the bellows stem.

It just dawned on me what Phil's handle means.......Duh

These bikes are wonderful, every bit as rare as Bluebirds and may even be

better looking.
 
There is another patent filed by Onnie Mankki on May 29th 1936, that shows a crossbar dashboard similar to the Westfield one that houses what looks like a clock and a speedometer.
It is mounted in a similar manner as the Westfield one, in that the stem quill bolt and the handlebar pinch bolt supports it. The main difference between it and the one Westfield would end up using, is that it also spans out to the handlebars forming a crossbrace. similar to what Schwinn used. As was the case, with the Westfield, the stem would have had a special relationship with the dashboard, so that it sat securely.
I don't know if that dashboard was ever made, but the stem in the dashboard drawing is the same stem in the patent drawing for the 37/38 RMS.
If the bellows stem or the Cushioner stem is that stem, then I find it odd, that they would have produced such a fancy stem for something that was going to be covered by an instrument panel.
 
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